Trio don’t define themselves strictly as a traditional music group, but traditional music is clearly at the very heart of their creation. The interpretation of archival materials and their own compositions shaped by different impulses are both equally important in the trio’s repertoire.
“Tasteful games of rhythm engulf, almost paralyze you and keep the mind pleasantly awake. Kannel is like a magic instrument, something greater lies in this vibration of strings, full of overtones. It’s really nice to use the word “powerful” when talking about kannel, an instrument often seen as a symbol of mild and quiet music. Decibels play no role whatsoever in music when the idea itself carries.”
Leanne Barbo, Muusika
Ann Maria Piho
Ando and friends
It’s a tradition that the “Ando and Friends” concert on the last evening of the festival gives everyone a chance, once more, to meet their new favourites and enjoy the songs and tunes of their old friends.
The line-up of the concert will be revealed at Kaevumäe on Sunday night.
Anton Ventsel - vocals, guitar
Elari Ennok - vocals, guitar
Mati Tubli - vocals, bass guitar
Tõnu Tubli- drums
Tõnis Kirsipu - percussion
Lauri Kadalipp - vocals, saxophone
Johannes Kiik - vocals, trombone
In Estonian, “Pärlin” is a name of a roof detail that supports all the rafters. We chose that name because we feel connected to this definition – music is like a supporting log holding together the rafters of our life and keeping us from falling apart.
The story of the band began when the fiddler Sofia invited her friends Alex and Kert to play music together. They formed a group called Klassikaline Džässfolk, entered a competition of young folk bands in Viljandi and brought home the Grand Prix and a chance to perform at Viljandi Folk Music Festival.
Felix joined the band with double bass and the name changed to better sounding “Pärlin”.
April Verch Band
One might suspect a performer with as many talents as Verch would pause to take a breath, or need to somewhat compartmentalize her skills during a live performance. But on stage, Verch is almost superhuman, flawlessly intertwining and overlapping different performative elements. She stepdances while fiddling. She sings while stepdancing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. Verch is - as they say - a triple threat in performance, her live show a beautiful companion to her music: versatile, robust, and masterfully executed.
Alex Rubin- guitar, mandolin
April Verch- voice, violin, stepdance
Szabolcs Molnár - violin
Endre Papp - viola
Viktor Pandák - double-bass, ütőgardon
Black Bread Gone Mad
Their wild and energetic live performances remind you that music can be unbounded and absolutely unlimited. The band members are fans of different music styles, such as the 70's rock, afro rhythms, estonian folk, Middle Eastern music. While creating new tunes BBGM wants to add freshness and exciting sound to the traditional music scene with the sole goal that music should inspire and wire the band members up.
Merike Paberits - flute/vocals
Lee Taul - violin/vocals
Peeter Priks - guitar/vocals
Mati Tubli - bass/vocals
Martin Aulis - drums and percussion
Cätlin Mägi & Jaan Pehk
Cätlin Mägi - Jew’s harps, bagpipe, vocals
Jaan Pehk - guitar, vocals
Beijing, China with members who grew up in the grassland regions of Inner Mongolia. Choor is a very old word in Mongolian, meaning polyphonic, harmonic, and overlapping.
The performers were each born into herding families and at a young age, began their study of the Mongolian Morin Kuur (horse-head fiddle) and other instruments from their parents and other folk artists. In their high school years they entered professional music schools where they received
systematic, academic training on their instruments and were able to bring their artistry to a new level. They represent a fresh generation of young Mongolian performers and combine adept musicianship with a profound musical sensibility bestowed upon them through many years of living
on the expansive grassland.
Drukmo Gyal Dakini
Drukmo Gyal (འབྲུག་མོ་རྒྱལ ), a Tibetan singer/Tibetan Medicine therapist born in Northeastern Tibet, with support from her local Tibetan Yogic community and family, she practiced Tibetan healing mantras with traditional melodies and travelled around the world to share her culture and philosophy through singing since 2015, she has sung more than 100 concerts in over 30 countries until now.
Gonpo WangGyal(དགོན་པོ་དབང་རྒྱལ།), a Tibetan folk musician from northeastern Tibet, a master of many kinds of Tibetan instruments, who involved in recording projects of famous Folk singers in China and Mongolia, not only did he work on music arrangements for large-scale musicals, he also performed in numerous music festivals and live videos on Chinese TV channels like CCTV, Mongolia TV, etc...
Drukmo Gyal (འབྲུག་མོ་རྒྱལ )will share healing mantras and Tibetan Folk songs with traditional Tibetan instrument played by Gonpo WangGyal(དགོན་པོ་དབང་རྒྱལ།).
Eeva Talsi, Karoliina Kreintaal, Kristiina Ehin
Which stories and songs are good for watering the roots that are implanted in the mythical stories of the Great Northern War, have been transmitted orally and have lasted through different regimes and wars, deportations and awakenings, which extend all the way to us and will hopefully overlive us? Three women are trying to find an answer to this question with the help of folklore archives and by collecting tradition. What is certain is that you need to water the roots from time to time, so that the buds could bloom.
Kristiina Ehin - storytelling, vocals
Eeva Talsi - vocals, fiddle, bowed lyre
Karoliina Kreintaal - vocals, fiddle, bowed lyre
Indrek Koff ja Katariin Raska
Everything has to be given back
If you have received - share.
If you’ve nicked - give back.
Everything is on loan anyway.
Katariin and Indrek have nicked stories and tunes from different nations and would like to share them now: as we know, a trouble shared is a trouble halved. We’ve learned to sharpen and bite our tongue and now there are many things itching on the tip of our tongue. We want to tinkle, tinker and twiddle, whistle, blow and blare, hum, babble and grumble, jingle and jangle. We will share stories, songs and poems from at least ten different peoples and accompany them on at least ten different instruments.
Juhan Uppin, best known as an Estonian accordion player, presents his new solo album at this year’s festival. The new album focuses on one of the most original Estonian traditional instruments: päkarauakannel. It is Juhan Uppin’s hommage to Aksel Tähnas (1911-1997), the most outstanding maker and player of päkarauakannel, whose music has been the greatest source of inspiration to Uppin. Uppin is probably the first modern player who has managed to truly understand, follow and evolve the unique technique and style of Tähnas.
King Ayisoba - Kologo player, lead singer
Abaadongo Adontanga – dancer, backing vocals and dorgo
Ayuune Sulley – Sinyaka, backing vocals, kologo player
Gemeka Akligilalatanda – guluku drums, dundun drums
Ayamga Francis – Djembe and Bemne drums
Lena Jonsson Trio
Lena Jonsson’s ability to balance a deep knowledge of traditional Swedish folk music with innovative artistic sensibilities, sparkling joy of life and a charisma of a rock-star have made her one Sweden’s most visionary musicians. She has created a unique style inspired by traditional Swedish music as well as rock, pop and the american old-time and bluegrass traditions. This world-class musician is coming to Viljandi with her amazing trio that was nominated for a Swedish Grammy this year for best Folk album.
Lena Jonsson- fiddle
Erik Ronström- guitar
Kristofer "Krydda" Sundström- bass
Lepaseree despite Ahven
Meelika Hainsoo – vocals, fiddle
Paul Daniel – guitar
Marti Tärn – bass
Reigo Ahven – percussion instruments
For the first six months, they focused on instrumental tunes, then they started to include more and more songs in their repertoire. In 2017, the frontman of the group Andres Eelmaa switched his accordion for a bass guitar to add different colours to the band’s music. Ott-Mait Põldsepp joined the group in 2019 with guitar and mandolin.
Lõõtsavägilased play mainly folk and traditional music but they do not discriminate against any other styles either. During the last five years, the band has given more than 600 concerts and has taken the stage at all the important traditional music festivals in Estonia. They’ve worked with several notable artists like Untsakad, Zetod, Jaan Pehk, Hardi Volmer and Metsatöll and won many music awards.
He is active both as a solo artist and in various groups like Bad Habits Trio, Trio Romansid and Triller. His latest stage partners include first class names like Jaan Sööt, Liisi Koikson, Sofia Rubina and Kadri Voorand.
Saulius Petreikis – one of the few people in Europe who has a unique collection of musical instruments from all over the world and is using them to create and perform his own music. Although Saulius studied classical trumpet in Klaipėda's Stasys Šimkus Conservatory (2001-2004) and Lithuanian Academy of Music and Theatre (2004 – 2010) but for the last ten years he is genuinely exploring the World Music. While playing music he connects light-playfulness and deep sincerity, spontaneous expression, and inclination to a synthesis of different styles. Saulius professionally plays various wind instruments from all over the world. Raised in a family of folk musicians, Saulius pays a lot of attention to Lithuanian folk music. He is always looking for new sounds, is daring to experiment and improvise.
Laima Jansone is a virtuoso of the kokle, a traditional Latvian instrument. Improvisation is an important part of her performance style, with a musical interaction between the meditative and impulsive; the ancient and contemporary. Laima Jansone started her professional career as a musician and a composer in 2011 by releasing her first solo CD, Sidrabs. She has expanded kokle playing techniques and has also embraced genres such as ethno jazz, ambient and classical music. She has brought her performances to the public at the largest concert halls in Latvia as well as in Italy, Belgium, Australia, Norway, Germany, Japan, USA, etc.
Maarja Soomre and Brite Vilgo
The creation of an instrument
Each instrument has a physical body which begins to resound at a human touch and takes us to its fantasy world. Each of us perceives the sound slightly differently, for some it might seem jolly or lively, for others lyrical, some detect words within the instrumental sounds, others hear only the rhythm. “The creation of an instrument” is a concert where these two important components, body and sound of an instrument meet and become alive through two human beings: singer Maarja Soomre and dancer Brite Vilgo. The initial inspiration came from old archival recordings where different singers imitate the sounds of Estonian traditional instruments. Who or what makes your soul sing? Come and find out at the concert.
Maarja Soomre - vocals
Brite Vilgo - dance
Kerttu Kruusla - visual artist
MandoTrio & Friends
MandoTrio is a group of three young mandolin players who play traditional music and their own compositions. In addition to the husky sounds of double strings they are also using stomp-box and octave to spice things up with bass and drum.
MandoTrio’s mission is to infect people with mandolin madness. Hans is from Tallinn, Kristjan from Liimala and Tanel from Jõgeva, they were brought together by Viljandi Cultural Academy and by the love of mandolins in traditional music.
Kristjan Kuusmik is describing the band: “MandoTrio’s concert is made special both by our soundscape and repertoire. We play traditional dance tunes and songs but also our own heartfelt compositions. We like to communicate with people and we hope our music will give them a wish to take up the mandolin
These happy fellows will present their second studio album in Viljandi and they’ve invited along their most inspiring friends and fellow musicians, to make it truly memorable.
Tanel Sakrits - mandolin, vocal
Kristjan Kuusmik - mandolin, vocal
Mari Kalkun, Rasmus Puur and VHK String Orchestra
Mari has performed around the world, including most European countries and lately also in Japan. The album she recorded with the group Mari Kalkun & Runorun called “Tii ilo” was nominated for the Ethno Album of the Year award at both the Estonian and the Finnish Music Awards. In 2018, she was nominated for the Female Artist of the Year award at the Estonian Music Awards and her album “Ilmamõtsan” was chosen by The Guardian to be amongst the top 10 best world music albums of the year. Several music specialists and the audience chose her programme to be one of their favourites at Tallinn Music Week in 2018 and she was given the TMW artist award.
Mari Kalkun – vocals, 12-string zither, home zither, accordion, sleigh bells
Ahto Abner – percussion instruments
The VHK string orchestra consists of 24 students at the Old Town Educational College (Vanalinna Hariduskollegium or VHK for short) which was created in 1996. The youngsters who play in the orchestra are aged 13-19. At first, they concentrated mainly on early music and playing pieces that the college had commissioned (M.Siimeräs “Miikaeli mõõk”, etc). But recently, they’ve been performing mainly Estonian music starting from Cyrillus Kreek, Heino Eller and Veljo Tormis to Tõnu Kõrvits, Margo Kõlar and Pärt Uusberg. The VHK string orchestra has already given around 30 concerts this season both in Estonia and abroad.
Moradokmai Theatre Community
"Story telling by Thai melodies"Chang Janaprakal Chandruang & Moradokmai Band, Thailand
Storytelling is always the ultimate goal of all art skills. It is only natural for musicians to tell their stories through music. Since Thai traditional theater can not take away it’s music. Therefore, music is evidently the core of all the movements and lyrics. The way it hasn't changed for generations is most sacred. We are bringing the sacredness of music and movements and the way it hasn't changed to share with you at the festival. We are excited to feel the reactions.
List of participants:
Nagy Bögö plays post-traditional music. The pillars of their musical creation are the folklore and the traditions, their source of inspiration the nature, home and friendship. Nagy Bögö starts with our own roots and ends up in Hungary, Bulgaria, in a fascinating symbiosis between the modern and old times or possibly in some completely unexpected place. The band is not afraid of putting together the opposites, crossing the boundaries and experimenting with traditional tunes on their musical journeys. The sizzling synergy between Nagy Bögö and the audience charges everyone with positive load that will last for a long time.Karolin Übner - Estonian and Hungarian bagpipe
Katariina Tirmaste - flute, violin
Martin Vill - Bulgarian bagpipe, soprano saxophone
Jaan-Eerik Aardam - guitar
Mart Nõmm - double bass
Kevin Lilleleht - percussions
All our songs have started from a good story. Some stories are ridiculous, others are sad, some romantic, and a few are purely absurd but sooner or later the stories that speak to us become songs.
Katrin Laidre – vocals, garmon, bass
Sofia Joons – vocals, fiddle, guitar, percussion instruments
Kristiina Ehin – vocals, garmon, percussion instruments
Kairi Leivo – vocals, Jew’s harp, bass
Stories of band’s powerful and authentic stage presence at concerts have become folklore on their own.
They released their first album named “Kuri koer” in summer 2011 and their second album “Urjoh, hunti!” in summer 2017, which was nominated for the best metal album award at The Estonian Music Awards 2018.
Ragnar Toompuu - guitar, vocals
Priit Oks - vocals
Madis Nõmme - solo guitar
Merike Paberits - flute, bagpipe
Tanel Kadalipp - bass guitar, vocals
Kristo Joosep - drums
Orivesi All Stars
In 2014 Otava Yo beat stiff competition to perform an official showcase at Womex. In 2015 Otava Yo played their first USA tour, in 2016 first UK tour, played WOMAD and live on BBC Radio 3. In anticipation of a lively concert festival producers at Globalquerque wrote: “Steaming out of St. Petersburg in white vests, a peasant dress, ushankas on head with ear-flaps akimbo, Otava Yo bring the proud traditions of Russian folk to the digital age, causing mass outbreaks of circle-dancing and Slavic pogoing on the dance floor. Lyrical gusli, global guitar, wailing bagpipes, energetically expert dual fiddle-scraping, pumping bass and pounding drums, driving songs of rural romance, heroic sailors, goats and pancakes, delivered with casual wit and bursts of ensemble choreography.”
Tailwind takes the group PÄRI, PÄRI for a ride on different paths across the Runo song landscape, swirls them clockwise in a flurry of a dance and catapults them through time and space, rhythm and harmony. When PÄRI, PÄRI introduces the old traditional songs to the contemporary society, it turns out that people still worry and smile about the same things. You’re taken on this journey by three musicians Maarja Soomre, Jaan Varts and Tanel Ruben.
Maarja Soomre – vocal, zithe
Jaan Varts – acoustic guitar
Tanel Ruben – percussion instruments, sampler
Piret Päär & Folk musicians
Piret Päär and the finalists of the nationwide competition of solo folk musicians “Vabariigi Pillimees”: Cätlin Mägi, Villu Talsi, Juhan Uppin, virtual Toomas Valk.
A folk musician hundred years ago - who was he/she, what tunes did he/she play, what thoughts did he/she think?
A folk musician in the 21st century - who is he/she, what tunes does he/she play, what thoughts does he/she think?
We are looking for answers to these questions. Piret is telling stories written down by August Pulst. Cätlin, Villu, Juhan and Toomas are just being terrific folk musicians.
Piret Päär - storyteller
Cätlin Mägi - bagpipe, Jew’s harp
Villu Talsi - mandolin
Juhan Uppin - Estonian accordion, kannel
Virtual Toomas Valk - Garmon
Rasmus Puur and VHK string orchestra
RIFFARRICA (ex-Duo Malva & Priks) started in 2016. Kulno Malva and Kristjan Priks, both experienced folk musicians, joined forces to make vigorous and masculine folk music, drawing inspiration from centuries-old folktale songs. The combination of Kulno’s raspy vocals, dynamic accordion grooves and the sound of Kristjan’s distinctive drum set gave birth to a fresh and exciting sound –"Folk with muscle" as Baltic Music News so accurately named it.
“Accordion, vocals and percussion create a sound that you’d never associate with just two musicians – with a little help from some electronic gadgets, the accordion starts to screech like a hard rock guitar or obtains a tonal ambience as rich as that of a grand piano. It helps to emphasise the strong groove which is an unmistakable trademark of the duo.”
Dani Heyvaert, RootstimeIn 2017, Duo Malva & Priks released an EP “Mässiv”
In 2019, Riffarrica released their debutalbum "Riffarrica.
Kristjan Priks - percussion, vocals
Ensemble Ro:toro is quite an old collective, and so are its members. With age comes wisdom and knowing that there are other precious things in life than messing around with loopers and Jew’s harps or touring the world - there’s good old Ro:Toro with its evergreen tunes. That’s why Cätlin and Sandra got back together with old pals and one thing’s for sure - the tunes are old and golden, with the highest karat!
Sandra Sillamaa- bagpipe, Jew’s harp, whistle
Cätlin Mägi - bagpipe, Jew’s harp, whistle
Marko Mägi - saxophones
Marek Talts - electric guitar
Silver Sepp - bowl instruments
Rüüt is a dynamic, playful and bold ensemble in which different worlds of an actress, jazz-musician and two Estonian diatonic accordion players meet and become combined into one. As a result Rüüt’s music is a good listening to folk lovers, those interested in technical intricacies and also to wonderers of mellow musical landscapes.
They have made characteristic arrangements to quite a few of Estonian traditional folk tunes and songs. In addition, the ensemble also arranges their own compositions. And the search for piece’s final arrangement does not end until all the members are entranced by it. To achieve that, the band conjures all kinds of ideas and solutions that will form the music.
The band is characterized by mystical atmosphere, intricate harmonic, melodic and rhythmic combinations, precision and a common feel.
Maili Metssalu- vocals, fiddle
Maarja Soomre- vocals, melodica, kannel
Juhan Uppin - Estonian diatonic accordion, kannel, vocals
Sam Lee is Mercury Prize nominated folk singer, song collector, award winning promoter, broadcaster, animateur and naturalist. As an artist Sam traverses many worlds, challenging and pioneering folk music in diverse places and ways. Not just an award-winning singer with two highly decorated albums to his name and a sound incomparable to his contemporaries'; his work fostering live music in the UK has been instrumental in the explosion of folk in the last decade. Sam reinvents not just the way these ancient songs should sound but how they can be sourced, exist and thrive, from conscientiously gathering them in Gypsy Traveler camps to singing them for the Hollywood big screen.
“Ambitious, eclectic but, ultimately, dedicated to the enduring passions that resonate through this treasure trove of great songs.”
“This Mercury prize nominee continues to shake up the folk scene with drama and surprise. Surely one of the albums of the year.”
Sandra Vabarna/Piret Päär/Jalmar Vabarna
Who is friends with whom?
Who is not friends with whom?
And what’s pea got to do with it!?
Once, Silver found himself on a journey to an old shed full of ancient farm tools, hidden away in shady corners. Tools that had once been put down for just a moment and forgotten for at least a half century, tools that had gone grey and mouldy in the hopelessness of the waiting. Silver tapped and tuned to clear the throats of these forgotten things and breathed new musical life into them, so that they could talk and sing about everything that was, is and will be. Silver will bring along all his good old mythical friends to this year’s festival: the nail instrument, skis from the woods of Karula, the front wheel of grandpa’s bicycle, wash basins from a hundred-year-old sauna. And for the first time, we’ll get a chance to hear a hand plough originating from his father’s farm on the island of Saaremaa. Digging a furrow with a tool like this unearths runo songs as heavy as fieldstones and hidden viking gold, all buried deep within the layers of time.
Sisters Anu and Triinu Taul
Anu Taul - vocals, guitar, tin whistle, bagpipe
Triinu Taul - vocals, different whistles, bagpipe
Tarmo Noormaa - accordions
Photo: Ruudu Rahumaru
In ancient Latvia, the name “tautumeitas” was given to young women at marriageable age but today it stands for all women dressed in national costumes.
Tautumeitas's music is created by six voices and six pairs of hands owned by Latvian girls, who believe that music makes the world a better place.
The principal interest of the group is traditional singing, especially multipart singing. The particular voice resonance created by this form of Latvian traditional singing provides enjoyment not only for the audience but also for the performers themselves. In order to portray traditional music from their own perspective and to show how the modern day 'Tautumeita' thinks and feels, the members each incorporate different instruments into this traditional a capella vocal music. The majority of the band's members have studied ethnomusicology, which is why there are many traditional music influences from different parts of the world.
Timbral variety, fresh ideas and eclectic musical taste all fuse together to give Tautumeitas its unique sound.
The Heritage Projekt
Curly Strings, a four-piece from Estonia, and the April Verch Band, a trio lead by Ottawa Valley (Ontario, Canada) native, April Verch. The beginnings of this collaboration were simple. A mutual respect for each others music, a couple of brief chance meetings, and most importantly, the discovery of their mutual passion for the early traditional music of their homelands.
The set list for The Heritage Projekt begins by presenting the oldest form of music from both bands’ traditions, builds into medleys that highlight songs and tunes from Estonia and the Ottawa Valley that sound like long-lost cousins, then melds into selections both bands have composed together that fit within these traditions. It’s a journey of their roots and influences from history into present day. It is an opportunity to preserve and continue this heritage music all at once.
Both bands grew up rooted in the music of their specific region, honed their musicianship, and began to draw inspiration from other sources in forging their own brand of roots music. For Curly Strings that included blending inspiration from American bluegrass with their Estonian cultural space, and for the April Verch Band, fusing Old Time American, Scandinavian and classic country influences with regional Canadian styles.
While standing in a long line together at a burger joint in New York City, the bands entered into deep discussions and comparisons about their homelands and musical traditions, and quickly discovered that they had a lot in common. Both Estonian and Ottawa Valley traditional music styles grew out of a mixed pot of cultures and people, and included dance music from the various immigrants who settled in each location. A question emerged amongst these young musicians from opposite sides of the globe. What would a collaboration sound like that honored these timeless traditions and celebrated the common ground of these unique ethnic styles? Thus began, The Heritage Projekt.
This partnership is also an opportunity for both bands to revisit the roots that their music comes from, without concerns for having it fit their current band sound. Eeva Talsi of Curly Strings says “it’s something that both our bands have wanted to do for some time, and it’s been even more fun and exciting to do it as a team.” April Verch agrees, “by combining our efforts, we’re able to present our ethnic styles to each other, and to more and different parts of the world than we would be able to just on our own.”
Taavet Niller – bass, vocals
Jaan Jaago – guitar, vocals
Villu Talsi – mandolin, vocals
Tintura & Arno Tamm
Tintura and Arno Tamm have got together for the 27th Viljandi Folk Music Festival, to create a special production dedicated to Estonians who’ve been force to leave their homeland.
Songs, that have been brought along from the home country, songs, that have helped to retain the memory of the long lost home, stories behind these songs, and the tunes that have managed to survive despite everything and found their way back home - all this creates a truly powerful story worth telling and remembering.
The heritage of Siberian Estonians has inspired many musicians lately, but this is a first concert dedicated especially to the music of Siberian Estonians. Tintura, a band playing with folktronic, trip-hop and worldmusic, and Arno Tamm, the frontman of Paabel, will bring you their contemporary vision on how to bring back the tradition and move forward within it.Karoliina Kreintaal - vocals, fiddle, bowed lyre , cither
Taavet Niller – double bass, vocals
Lauri Täht – beats, samples, effects
Arno Tamm - vocals
Trio Durand Millet Raillard
Trio Durand Millet Raillard comes from a mountainous region of Morvan in Burgundy. The members of the trio have been surrounded by traditional music of the region from early childhood and today they are one of the best ambassadors of the traditional music of Morvan region. This inspiring trio is doing a wonderful job at keeping the purest and the oldest function of folk music alive - they play for dancing and for delight of the community. They explore a repertoire of traditional Morvan music from which they create modern, dynamic and original arrangements for an energetic performance. This is a real treat for everyone who loves to dance the night away!
Quentin Millet - bagpipes
Alex Raillard - guitar
Their considered arrangements intertwine the traditional melodies of Scotland, Ireland, England and the Isle of Man with contemporary and self-penned tunes to produce a powerful, driven and distinctive sound.
The impressive line-up features Newcastle accordionist Michael Biggins, Sligo flautist Tiernan Courell, Manx fiddler Isla Callister with Scots Rory Matheson on piano and Craig Baxter on bodhran. All currently in their 3rd year at the Royal Conservatoire of Scotland, they are at the forefront of the innovative movement of young traditional musicians on the Glasgow scene.
2018 has been the band’s busiest and most successful yet, with performances all over the UK and further afield, including appearances at internationally acclaimed festivals such as Celtic Connections, Orkney Folk Festival, HebCelt and Festival Interceltique de Lorient. They were also semi-finalists in the BBC 2 Young Folk Awards.
Tiernan Courell - Flute
Michael Biggins - Accordion
Isla Callister - Fiddle
Rory Matheson - Piano
Craig Baxter - Bodhrán
In the early 80s, Tuup, an aspiring drummer and performance poet, started to move into performance caribbean dub-poetry and was recognized by a small guyanese publishing house, run by Jessica & Eric Huntley, called Bogle L’Ouverture Press.
Tuup joined the famous West London Storytelling Unit, run by artistic-director, Ben Haggarty and assistant-director, Georgiana Kebbel, a challenging innovative arts group looking at performance storytelling for adults.
In the mid 80s, Tuup formed a storytelling group with Flora Devi called “Tellers of Time" (indian dance & folk tales coupled alongside african-caribbean tales & rhythms). Tuups' breath of experience as a professional storyteller covers 30 years and more. Tuup is working:in many Festivals around the world : Toronto Storytelling Festival, St Donuts Festival Wales, Jonesborough Storytelling Festival Tenessee, Kanoon Festival Iran, Makan ya Makan Festival Jordan, Delhi Storytelling Festival India, Aachen Storytelling Festival Germany, Zwolle Unlimited Festival netherlands and many more.
Tuup has been commissioned by the Arts Council, BBC Radio 4 and Channels 4 on a number of projects.TUUP is coming to the festival in cooperation with the Storytelling School of Estonian Folk Culture Centre and Piret Päär.
But a snake crawled out of the grass and told me, “Don’t come closer, she’s not blooming for you!“ A girl on the cliff edge, on the shore of Naroova, lifted her arms up and sighed from the bottom of her heart. Disco isn’t important, punk is everything. Nothing else matters, my dear disco lover. For sixteen years they fed the pig with potatoes, sauce and butter. Those who survived drank and hit each other and seven men were put to jail in the harbour.
Beer barrels were dancing – juhhaidii, juhhaidaa.
Pirates were having a jolly – juhhaidii, aidaa.
Väikeste Lõõtspillide Ühing
Once, the founding members ended up in a small village shop together where they were selling tiny childrens’ garmons. The instruments were cheap and soon, the voluntary citizen association was registered at Pärnu County Government. The insatiable passion for the sexy sounds of this instrument led to the creation of a folk dance orchestra in 1995.
During the 30th anniversary year, the association consists of:
This is going to be the 16th Viljandi Folk Music Festival for Zetod! These lads have been raised in a spirit of folk music since the day they were born. From one stage to another – hardly any folk festivals go by without this band. Although the members are still pretty young, the band is definitely one of folk friends’ all-time favorites and could easily be put in the category of Estonian folk music legends. Today, they are as full of life as ever and keep on going!
Jalmar Vabarna – vocals, acoustic guitar, electric guitar, 2-row diatonic button accordion
Jaanus Viskar – vocals, bass guitar
Martin Kütt – drums
Artur Linnus – vocals, accordion
Matis Leima – vocals, violin, 2-row diatonic button accordion
Rainer Koik – sound engineer